Worlding Higher Education Differently: Co-creating a Technology-Art-Science Commons
Our tripartite ecosystem brings together transnational (local, national, international), transdisciplinary (technology, art, science), and transmedia (digital media platforms) efforts. Through this collaborative framework, we co-create activations among researchers and practitioners in higher education across Colombia, Egypt, and Canada. As visual arts and science educators, our project experiments with the intersections of art, science, and technology. We prioritize pedagogical activations locally and globally, focusing on a ‘glocal’ approach that emphasizes learning points relevant to the 21st century. These learning points—or impact literacies—equip students with essential skills, including: Transnational partnerships, collaborative teamwork, responsiveness and adaptability, and innovative thinking. By incorporating these skills into the project design, we provide students with leadership opportunities that might not have been available otherwise.
Public pedagogical activations by Raquel Moreno and Daniel Blanco exploring ecology, introspection, and artistic research across contexts.

From February to May 2025, researchers Raquel Moreno and Daniel Blanco are undertaking public pedagogical activations as part of their ongoing artistic research practices. These activations provide a platform for practice-based inquiry, inviting critical reflection and public engagement.

Raquel Moreno’s research focuses on women’s experiences and their representation through creative practice. Her residency project, Playing with the Shadow, explores the significance of having a space of one’s own for introspection and self-connection. The project investigates the intersection of presence and introspection—spaces to pass through, to encounter one’s desires and fears. Drawing, shadow play, and spatial installation are used to construct intimate environments that provoke dialogue around embodiment and emotional presence.

Daniel Blanco’s work explores ecological thinking through the lens of construction tools and materials. His project, Mountain Marsh, engages with the hydrological history of the Bogotá savanna—from its prehistoric condition as a Pleistocene lake to the socio-environmental impacts of colonial and contemporary interventions. The project includes field visits to river basins, the creation of maps, and the design of devices for imagining alternative forms of water coexistence. His research prompts reflection on how ecological narratives can be activated through artistic methods.

Both residencies contribute to the broader aims of the project by situating artistic practice as a method of inquiry into social, environmental, and pedagogical questions.

Research

How can creative practices in art institutions evolve and adapt in the 21st century, particularly in the aftermath of the pandemic? Learn More

Project

Exploring Bogotá’s watery past through walking routes and workshops on architecture, ecology, and coexistence. Learn More
An intimate public programme by Raquel Moreno exploring drawing, embroidery, sound, and storytelling as creative practices for women. Learn More